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Jamaican
music producers and recording artistes continue to have a major positive
effect on the direction of popular music around the world. It is absolutely
amazing how much we as a people have contributed to what the world decides
to dance and vibe to. The latest craze throughout North America is now
without doubt a musical offspring of reggae called reggaeton.
Reggaeton is a relatively new
form of dance music that has become very popular in Puerto Rico over the
last decade and has now spread to Latin communities all over the world.
The name is derived from reggae, which influenced reggaeton's dance beat
through the infusion of hard driving dancehall rhythms. Reggaeton is also
heavily influenced by other Puerto Rican music genres and by urban hip-hop.
The explosion in the popularity of reggaeton in Latin urban centres in
Central, South and North America has prompted some to speculate that the
genre will soon surpass salsa, merengue and other pop music among Hispanic
youth.
Like
hip-hop, the lyrics of most reggaeton recordings seem to focus on issues
such as urban crime, sex and racism, which tend to have very strong appeal
to urban youths everywhere. Some of the leading exponents of reggaeton
include Tego Calderon, Queen Ivy, Don Chezina, and Daddy Yankee. Top American
hip-hop producer L'il John has also joined the train, signalling the recognition
of the potency of reggaeton by mainstream urban American music makers.
The Latin reggae craze is not confined to reggaeton either. In Cuba there
is another offspring called cubaton. The Cuban version comes primarily
from Santiago in southeastern Cuba, where many youths have actually been
tuned in and listening to Irie-FM for years. Cubaton, however, seems to
incorporate a wider range of Jamaican music influences from traditional
roots reggae, to lovers rock, and dancehall. The Santiago-based outfit
called Cuban Urban Xpression, with artistes such as El Medico and Control
Cubano, is one of the leading forces behind cubaton. A major reggaeton
music festival was also recently held in Santiago and there are plans
for another big reggaeton festival in Venezuela later this year.
As
far as I am aware, only a few Jamaicans have so far been taking advantage
of what is now proving to be an extremely huge market for reggae and dancehall.
Vegas has had a reggaeton hit in the form of "Pull Up." There
is, however, great potential here for collaborations between Jamaican,
Cuban, Puerto Rican and other Caribbean Latin artistes. There is definitely
no stopping the reggaeton movement, as mainstream American radio and TV
have also signalled their intention to fully embrace this new format.
The Latin reggae fusion is something we definitely need to pay very serious
attention to, and more of our producers and artistes should be collaborating
with our brothers and sisters from the islands just next door.
Lloyd Stanbury is an attorney-at-law in Kingston, Jamaica and can
be reached at lloydstanbury@hotmail.com.
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